6/30/2011
Don't Feed the Plants!: BlueRep's "Little Shop of Horrors"
The Ateneo Blue Repertory brings you its 20th Season Premiere, Little Shop of Horrors
In the old days it was all about selling your soul to the devil for fame and fortune. But ever heard of selling it to an evil, man-eating Venus Flytrap from outer space?
With all the pressures in a fast-paced world obsessed with money and beauty, it isn’t hard to imagine that anyone would do absolutely anything to fulfill their dreams – whether through hard work or Faustian deals. But with the allure of earning fast bucks and becoming overnight sensations, shady businesses have become a lot more common.
Even the honest-to-goodness nice guys aren’t immune to this kind of temptation, and Seymour Krelborn is one of them. He is the protagonist of Little Shop of Horrors, a black comedy musical satirizing old-school sci-fi movies and one of the longest running Off-Broadway shows of all time. This July 2011, the Ateneo Blue Repertory presents Little Shop of Horrors as its 20th season’s premiere.
Since its beginnings in 1991, blueREP has delighted local audiences with shows that celebrate the artistry of the Filipino performer. blueREP has a diverse range of shows its belt having staged musicals like Pippin, The 25th Annual Putnam County Spelling Bee, Stages of Love, Bare: A Pop Opera, and Hair.
“For our 20th season, our theme is man's inner struggle, and the clash between the beasts within us and our humanity,” says Ejay Yatco, blueREP’s Artistic Director. “Seymour, the lead character of the play, faces this struggle when he is offered everything he ever wanted but at a great cost. Little Shop of Horrors is the first of three plays this year that will move our audiences to ask the question ‘Who is the man? Who is the Beast?’”
With book and lyrics by Howard Ashman and music by Alan Menken, Little Shop of Horrors is the story of a miserable shopkeeper’s yearning for a better life and a chance at love, all encouraged by a devious plant who manipulates him into quenching its thirst for blood and world domination in exchange for his heart’s desires. Thus, he must choose between right and wrong, all for the sake of a bit of glory.
Directed by Toff de Venecia (director of blueREP’s All Shook Up and Freakshow) and Musical Direction by blueREP’s Artistic Director Ejay Yatco (musical director of blueREP’s Edges), blueREP’s Little Shop of Horrors runs from July 27-August 13 at the Fine Arts Theater, Ateneo de Manila University. Tickets are P199 each. Please contact Mica Fajardo at 09178908795 to purchase them.
6/23/2011
Open auditions for Resorts World's "The Sound of Music"
Resorts World Manila, in cooperation with Ultimate Entertainment, Inc., is calling theater actors, performers, singers to audition for its production of the well-loved family musical The Sound of Music this June 24 (Friday) and 25 (Saturday) at the Newport Performing Arts Theater from 9:00am to 6:00pm. The production will be staged this October at the same venue.
All roles are still open. Interested talents should prepare the following: one song from a Broadway musical (using a minus one or music sheet), close-up and full-body photos, and resume (if available).
For more information, please visit The Sound of Music Manila Facebook Fanpage.
6/13/2011
2011 Tony Awards Winners
Credits to Playbill Facebook Page |
- Best Play
War Horse
Good People
Jerusalem
The Motherf**ker with the Hat
- Best Musical
The Book of Mormon
Catch Me If You Can
The Scottsboro Boys
Sister Act
- Best Book of a Musical
The Book of Mormon
Bloody Bloody Andrew Jackson
The Scottsboro Boys
Sister Act
- Best Original Score
The Book of Mormon
The Scottsboro Boys
Sister Act
Women on the Verge of a Nervous Breakdown
- Best Revival of a Play
The Normal Heart
Arcadia
The Importance of Being Earnest
The Merchant of Venice
- Best Revival of a Musical
Anything Goes
How to Succeed in Business Without Really Trying
- Best Performance by an Actor in a Leading Role in a Play
Mark Rylance, Jerusalem
Brian Bedford, The Importance of Being Earnest
Bobby Cannavale, The Motherf**ker with the Hat
Joe Mantello, The Normal Heart
Al Pacino, The Merchant of Venice
- Best Performance by an Actress in a Leading Role in a Play
Frances McDormand, Good People
Nina Arianda, Born Yesterday
Lily Rabe, The Merchant of Venice
Vanessa Redgrave, Driving Miss Daisy
Hannah Yelland, Brief Encounter
- Best Performance by an Actor in a Leading Role in a Musical
Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Joshua Henry, The Scottsboro Boys
Andrew Rannells, The Book of Mormon
Tony Sheldon, Priscilla Queen of the Desert
- Best Performance by an Actress in a Leading Role in a Musical
Sutton Foster, Anything Goes
Beth Leavel, Baby It's You!
Patina Miller, Sister Act
Donna Murphy, The People in the Picture
- Best Performance by an Actor in a Featured Role in a Play
John Benjamin Hickey, The Normal Heart
Mackenzie Crook, Jerusalem
Billy Crudup, Arcadia
Arian Moayed, Bengal Tiger at the Baghdad Zoo
Yul Vázquez, The Motherf**ker with the Hat
- Best Performance by an Actress in a Featured Role in a Play
Ellen Barkin, The Normal Heart
Edie Falco, The House of Blue Leaves
Judith Light, Lombardi
Joanna Lumley, La Bête
Elizabeth Rodriguez, The Motherf**ker with the Hat
- Best Performance by an Actor in a Featured Role in a Musical John Larroquette, How to Succeed in Business Without Really Trying
Colman Domingo, The Scottsboro Boys
Adam Godley, Anything Goes
Forrest McClendon, The Scottsboro Boys
Rory O'Malley, The Book of Mormon
- Best Performance by an Actress in a Featured Role in a Musical
Nikki M. James, The Book of Mormon
Laura Benanti, Women on the Verge of a Nervous Breakdown
Tammy Blanchard, How to Succeed in Business Without Really Trying
Victoria Clark, Sister Act
Patti LuPone, Women on the Verge of a Nervous Breakdown
- Best Direction of a Play
Marianne Elliott and Tom Morris , War Horse
Joel Grey & George C. Wolfe, The Normal Heart
Anna D. Shapiro, The Motherf**ker with the Hat
Daniel Sullivan, The Merchant of Venice
- Best Direction of a Musical
Casey Nicholaw and Trey Parker, The Book of Mormon
Rob Ashford, How to Succeed in Business Without Really Trying
Kathleen Marshall, Anything Goes
Susan Stroman, The Scottsboro Boys
- Best Choreography
Kathleen Marshall, Anything Goes
Rob Ashford, How to Succeed in Business Without Really Trying
Casey Nicholaw, The Book of Mormon
Susan Stroman, The Scottsboro Boys
- Best Orchestrations
Larry Hochman and Stephen Oremus, The Book of Mormon
Doug Besterman, How to Succeed in Business Without Really Trying
Larry Hochman, The Scottsboro Boys
Marc Shaiman & Larry Blank, Catch Me If You Can
- Best Scenic Design of a Play
Rae Smith, War Horse
Todd Rosenthal, The Motherf**ker with the Hat
Ultz, Jerusalem
Mark Wendland, The Merchant of Venice
- Best Scenic Design of a Musical
Scott Pask, The Book of Mormon
Beowulf Boritt, The Scottsboro Boys
Derek McLane, Anything Goes
Donyale Werle, Bloody Bloody Andrew Jackson
- Best Costume Design of a Play Desmond Heeley, The Importance of Being Earnest
Jess Goldstein, The Merchant of Venice
Mark Thompson, La Bête
Catherine Zuber, Born Yesterday
- Best Costume Design of a Musical
Tim Chappel & Lizzy Gardiner ,Priscilla Queen of the Desert
Martin Pakledinaz, Anything Goes
Ann Roth, The Book of Mormon
Catherine Zuber, How to Succeed in Business Without Really Trying
- Best Lighting Design of a Play
Paule Constable, War Horse
David Lander, Bengal Tiger at the Baghdad Zoo
Kenneth Posner, The Merchant of Venice
Mimi Jordan Sherin, Jerusalem
- Best Lighting Design of a Musical
Brian MacDevitt, The Book of Mormon
Ken Billington, The Scottsboro Boys
Howell Binkley, How to Succeed in Business Without Really Trying
Peter Kaczorowski, Anything Goes
- Best Sound Design of a Play
Christopher Shutt, War Horse
Acme Sound Partners & Cricket S. Myers, Bengal Tiger at the Baghdad Zoo
Simon Baker, Brief Encounter
Ian Dickinson for Autograph, Jerusalem
- Best Sound Design of a Musical
Brian Ronan, The Book of Mormon
Peter Hylenski, The Scottsboro Boys
Steve Canyon Kennedy, Catch Me If You Can
Brian Ronan, Anything Goes
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