Juan was Director-General of Dulaang UP, University of the Philippines where he has taught for thirty-three years. He is currently on leave from his post at University of Notre Dame du Lac, USA where he is Senior Professor of Directing and Playwriting/Theatre as well as the Social Concerns Artistic Director of the university’s New Playwright's Workshop.
“The Joy Luck Club,” adapted by Susan Kim from the best-selling novel by Amy Tan, is about four Chinese immigrant women and their four American-born daughters. The mothers create a mahjong group called the Joy Luck Club and audiences witness the stories of the club’s members.
“At turns funny, touching and heart wrenching, the play showcases the rich complexity of love between mothers and daughters that transcends age and cultural gaps,” says Rep associate artistic director Menchu Lauchengco-Yulo.
The novel was also made into a movie directed by Wayne Wang and starred Ming Na Wen, the voice of Disney’s “Mulan.” Rep has staged Disney’s “Mulan Jr.” for its children’s theater series.
Juan had acted in “Mother Courage” and directed “Our Town” for Rep. He directed Rep’s founder Zenaida “Bibot” Amador in the titular role of Shakespeare’s “King Lear” for his own theater company.
“This is a homecoming of sorts for Anton since he was part of Rep in its early days,” says Yulo. “He is multi-awarded and has worked with theater groups all over the world. He also has a doctorate in semiotics, the study of symbols and meanings, from the Kapodistrian and Panhellenic University of Athens. With his staging, he will be sure to give audiences new ways of looking at ‘The Joy Luck Club.’”
Juan says, “I am [staying] within the realm of the physicalized expression of essence. It is this way that I wish to articulate ‘Joy Luck Club.’ The four chairs around the mah-jong table are not chairs, they are the disembodied spaces of stories that occupied them … of friends and their relationships and the characters that have crossed their lives in arranged or disarranged order. This triggers my breaking and re-arrangement of the lines and scenes into cubistic presences that flow into one another and merge poly-vocally.”
“I give homage to the remembrance of the simple pan de sal and the kape Bibot and I shared during rehearsals of Lear,” he adds. “As I direct in memory, I am doing what she would have wanted me to do now in Rep: share what I know and what I have learned.”
The powerhouse cast includes Rebecca Chuaunsu, Jay Glorioso, Frances Makil Ignacio and Pinky Marquez as the mothers; and Ana Abad Santos, Lily Chu, Jenny Jamora and Cris Villonco as the daughters.
Costume design is by Eric Pineda with set design by Ohm David and lighting design by John Ilao Batalla.
“The Joy Luck Club” runs at Onstage Theater, 2nd floor, Greenbelt 1 Mall, Makati City. All Rep productions are available for showbuying and block ticket sales for individuals or organizations for earning extra income or raising funds. All productions are also available for sponsors who wish to reach Rep’s audiences.
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“The Joy Luck Club” runs Feb. 4 to 20, 2011. For ticket inquiries and other information, call Repertory Philippines at 571-6926 and 571-4941 or email info@repertory-philippines.com. Tickets also available at Ticketworld at 891-9999 or www.ticketworld.com.ph.
Rebecca Chuaunsu (Suyuan Woo) and Ana Abad Santos (Jing-Mei Woo). |
Pinky Marquez (An-Mei Hsu) and Jenny Jamora (Rose Hsu Jordan). |
Frances Makil (Lindo Jong) and Cris Villonco (Waverly Jong). |
Jay Glorioso (Ying-Ying St. Clair) and Lily Chu (Lena St. Clair). |
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